<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Essay on Brighton's Blog</title><link>https://brightonxu.com/tags/essay/</link><description>Recent content in Essay on Brighton's Blog</description><generator>Hugo</generator><language>zh-CN</language><lastBuildDate>Wed, 23 Sep 2026 23:00:00 +0800</lastBuildDate><atom:link href="https://brightonxu.com/tags/essay/index.xml" rel="self" type="application/rss+xml"/><item><title>Then Let's Talk</title><link>https://brightonxu.com/posts/en/2026-09-23-reply-to-hazel/</link><pubDate>Wed, 23 Sep 2026 23:00:00 +0800</pubDate><guid>https://brightonxu.com/posts/en/2026-09-23-reply-to-hazel/</guid><description>&lt;div class="article-description" style="text-align: center; font-size: 1.3em; color: #555; margin: 20px 0 30px 0; font-weight: 500;"&gt;So much...&lt;/div&gt;
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 &lt;span class="inline-track__title"&gt;On the Bound&lt;/span&gt;
 &lt;span class="inline-track__sub"&gt;Fiona Apple · When the Pawn... (1999)&lt;/span&gt;
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&lt;p&gt;I&amp;rsquo;ve been listening to Fiona Apple&amp;rsquo;s &lt;em&gt;When the Pawn&amp;hellip;&lt;/em&gt; lately. It&amp;rsquo;s a very distinctive album. Although I basically can&amp;rsquo;t get into any of the sampling ideas on &lt;em&gt;Fetch the Bolt Cutters&lt;/em&gt;, the mix of piano and samples—or synths?—in the intro to this album is incredibly rich and creative. For some reason, it reminds me of the intro to OKC.&lt;/p&gt;</description></item></channel></rss>